Medieval music

Marion Fermé has a keen interest in medieval music which she first developed through her work with the recorder player Pierre Hamon in his class in Paris. Afterwards, she attended the flautist Pedro Memelsdorff’s seminar in Barcelona over several years, where she also gained further qualification in the repertoire of the Italian Trecento - Codex Faenza, italian Ars subtilior- as well as on the Cyprius manuscript.
In her collaboration with the singer Marcia Lemke-Kern, she performs Gregorian chant as well as troubadour songs. Together, they play and sing a programme entitled “De loyal amour” featuring medieval music from Italy, France, England and Sephardic Spain.
This work led Marion to the recording of medieval pieces on the CD “Abbonda di virtu” with the musicians Johanna Seitz, gothic harp, and Elisabeth Seitz, psalterion.
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Programme
De loyal amour
| Anonyme, manuscrit de St Martial 12ème siècle |
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Res iocosa, conductus pour deux voix |
| Anonyme, manuscrit de Londres, 14ème siècle |
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Saltarello 1, avec flûte double |
| Anonyme, manuscrit de St Martial, 12ème siècle |
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Noster Cetus, conductus pour deux voix |
| Anonyme, séfarade, 13ème siècle |
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A la una yo naci |
| Peire d’Alverna, 12ème siècle |
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Amics Bernartz de Ventador, pour deux voix |
| Guillaume de Machaut (1300-1377) |
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Je ne cuit pas, Ballade pour voix avec flûte |
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Quand je sui mis au retour Virelai pour voix |
| Anonyme, manuscrit de Londres, 14ème siècle |
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Saltarello II |
| Anonyme, Angleterre 13ème siècle |
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Byrd one brere, pour voix seule |
| Anonyme, Angleterre, 14ème siècle |
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Lullay Lullow, pour deux voix |
| Anonyme, Angleterre, 13ème siècle |
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Edi beo thu, pour deux voix |
| Antonello da Caserta, 14ème siècle |
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Madonna, io me ramento, pour deux voix |
| Anonyme, Italie, manuscrit de Florence, 14ème siècle |
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O donna crudele, pour deux voix |
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| Marcia Lemke-Kern: voice |
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| Marion Fermé: voice and recorder |
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