Early Music
Recorder, harpsichord, voice, baroque cello/viola da gamba
the collaboration of Marion Fermé with:
Isolde Kittel-Zerer: harpsichord and organ,
Martina Schänzle: soprano
results in the creation of 3 concert programmes with Italian and German music from the 17th until the 18th century.
Sonata seconda, Dario Castello (CD Abbonda di virtu)
La luth enchantée
the ensemble was created at the Royal Conservatory in The Hague by:
Marion Fermé: recorders
Anna Kowalska: lute and baroque guitar
Anton Birula: lute and theorbo.
Since 2004, La luth enchantée has played its program with Bach’s and French baroque music, as well as a program of english baroque music in numerous festivals in France, Germany, Belgium, Austria, Russia and Estonia.
Sonate BWV 1034, Allegro, J.S. Bach
The Theater of Music
A late masque at the Drury Lane Theater, London 1700
Featuring music by Purcell, Locke, Lawes, Gibbons, and unknown composers from the Playford editions.
Since 2006, this program has been played several times in concerts with different instrumental settings; in duo recorder and harpsichord, then in trio and quartet with La luth enchantée : soprano, recorder, luths, theorbo and baroque guitar.
Finally, this program will be recorded on a CD during the summer 2009 with the following instrumentation: soprano, recorder, harpsichord, cello, lute, theorbo and baroque guitar.
“Can then a look…” Henry Burgess
Medieval music
Theses projects encompass music from the Italian Trecento and from the Ars subtilior with recorder, medieval harp and psalterio as well as Gregorian chant and troubadour songs in two voices.
Some of this work can be heard of the CD “Abbonda di virtu”.
